Would you believe a contemporary hero who wanted to marry a woman who not only couldn’t get a job, but couldn’t drive a car, use the phone or computer, couldn’t vacuum, cook, look after the kids, couldn’t do anything but be a bed partner. The contemporary hero, if he had enough money, could hire everything else done. But not so the historical hero. He needs a partner, a helpmate -- a wife. Even the contemporary heroine doesn’t need a man. She can hire someone to mow the lawn, fix the garbage disposal, install a new water heater.
In a historical novel one of the sub-themes is that it takes a man and a woman working together to make a go of it. A true partnership. Which, of course, is the foundation of romance.
I like historical novels where the woman is shown pulling her own weight. Where her husband-to-be/husband recognizes that he’s got a prize beyond rubies.* I like historical novels showing how women worked and the contribution they made to make the home and society function.
Of course, this does not mean that I want paragraph after paragraph as we follow the heroine through the day. But I want to see her work, her skills, the qualities the hero admires in the background as the story progresses. Everyone of us reading this knows what it’s like to work, we all do it all the time, and part of reading historical is to see ourselves reflected in the past, the past reflected in us.
In Johanna Lindsey’s Medieval novel DEFY NOT THE HEART, the knight hero, resisting
marrying the lady tells his friend ‘any lusty village wench will do’. And his friend points out to him all the work involved with keeping a castle by saying ‘can you hand a villein a sword and call him a knight? It takes years of training to be knight, years of training to be a lady.’The Medieval Lady is a woman with responsibility. She’s the one who sees that the meals are on time and of good quality, that the household is feed and clothed, the castle clean (there’s a task!!), food is stored for the winter, wool and flax are spun, woven, cut and stitched. The lady oversees the laundry, kitchen, wine cellar, buttery, linen closet, gardens, etc. She’s the CEO of the castle and the manor people.**
The Medieval lady is the ‘super mom’ of the Middle Ages. And we like the hero who recognizes his lady’s contribution. I think this is one of the reasons we love the Medieval lady of the castle, we can see ourselves in her.
If your writing about a Regency lord, what will he want in a wife? Can she handle his household, will she behave so as not to disgrace his name and family. Show her capable of making a gracious home, organizing a charity, raising his heir – whatever he considers important.
When creating a character you have to ask yourself what qualities would a hero and heroine look for in a lifetime companion (and remember, for most historical period, it was ‘lifetime’, as divorce wasn’t an option). Pretty and handsome are good, but will it bring home the bacon?
I think this sub-theme shows up best in Americana historical, which are usually set on the ‘frontier’ of the time. If you lived in next door to Daniel Boone, would you want your daughter to marry a handsome man, or one who knew how to hunt and farm so she and her children wouldn’t go hungry? Because this idea of ‘partnership’ is so appealing to me, this is why the frontier is my favorite time frame. The frontier man knows full well he needs a wife to help tame the wilderness. A man alone in the wilderness just becomes part of the wilderness.
For example, think about the movie LAST OF THE MOHICANS, do you think Nathaniel (Daniel Day Lewis) and Cora (Madeleine Stowe) are going to live exactly the same life style that Nathaniel lived before? While I loved this movie, I sometime wonder about the HEA. Do you think Daniel will go back to Europe with Cora? Probably not. So it’s a good thing that we know Cora is strong, as she’ll have to ‘hack it (a life) out of the wilderness, without so much as a by your leave’. Does she possess the domestic skills she’ll need to live in a log cabin? Probably not, but after what they’ve been through, I’m sure she can learn.
When I wrote KENTUCKY GREEN, I made sure that the background to all the scenes showed how the heroine worked. In conversation with a secondary character to give exposition, the two women are mending. In a pivotal scene where the hero acknowledges to himself he loves her, they talk while she churns butter. In COLORADO SILVER, COLORADO GOLD, the heroine is helping her uncle with some bookkeeping. Later in the day she fixed a sandwich for the hero, and I have him think how she’d been ‘at work’ at the office, and now is still working at the house.It’s the history teacher in me that makes me want a historical novel to subtly teach something to the reader. And working women is a great sub-theme. We contemporary women can identify with the woman of the past who are always busy. And the little details of the work you put in your story add the dept that makes it realistic. And since in historicals, the HEA is, per force, marriage, I want to see a partnership that as a reader I’ll believe lasts beyond the last page of the book.
What else makes a book a keeper, than to believe in the characters and story so that they live in the readers mind after they close the book? I guess what I want is to see that the hero values the heroine beyond her pretty face and young, sexy body. Probably because I’m old enough to know that the pretty face and young, sexy body won’t last forever.
Terry Irene Blain
who after 40 years of marriage and two sons, can no longer fit into her wedding dress
*Bible (King James version) Proverbs 31:10-31, in the original language, an acrostic of the ideal wife.
**Trivia note: since the lady walked around with the keys to these various area at her waist, the key became the symbol of power, and the clinking keys eventually became a charm bracelet
18 comments:
An old saying: Men may work from sun to sun, but woman's work is never done.
This is so true, and has been since the dawn of time. Strong, intelligent, capable women make the best heroines, to my mind. No other kind makes the "keeper shelf."
Thought provoking blog.
Gwynlyn,
You're right about that old saying, wish I remembered to put it in the blog - thanks for bringing it up!
Very enjoyable blog, Terry. I especially liked that little bit of trivia at the end (since I have two charm bracelets.)I'm glad to see the more recent medieval/scottish/etc historicals giving credence to women doing other things than just sitting in their castles. I've read stories of the women being bookkeepers and healers, artists and weavers.
I feel the same way, Terry. I write during and just after the American Civil War and try to educate readers about what it was like to live during this period. And all my heroines have had their share of hard work.
Terry, It is true there should be a partnership in all things to make a romance bloom. If it's one-sided someone ends up feeling bitter. And in historicals everyone needed to pull their weight to survive.
Good post.
Kathy,
Glad you like the trivia - I seem to be addicted to it and just can't help myself.
Susan,
I agree with you, one thing historical novels should do is give people a sense of what it was like to live in another time.
There is an old Chinese saying "Everytime you open a book, you learn somthing".
I just want to make sure my readers are learning something reasonably historically accurate -- guess this is what happens when a history teacher write, eh?
Patty,
Just like today, each person has to pull their own weight (or at least take turns being the one doing the heavy pulling), or things get tough.
Terry, what a great blog! You make me want to dive right into a good historical romance, which I grew up reading and haven't had the opportunity to experience lately. ;)
Thanks, Crystal, --trade you one of my historicals for one of our urban fantasies :)
Wow Terry how true. My sister and I just talked about kids not knowing how to wash dishes etc unless they are taught. I jumped off the deep end I have my heroine running a ranch with little or no help.She manages to squeeze in a little cooking and housecleaning too:-)
So true about kids today not knowing how to do things without hitting the 'on' button.
I can remember my great grandmother skimming the cream off the top of the milk my grandpa had brough in when he milked the cow. And can remember the old wringer washing machine my grandmother had.
I loved your blog! Just had to point out that the contemporary hero technically could even hire a bedpartner! :)
How interesting!
I never even thought about it. You've def made me think about my heroines and what they do.
Perfectly said Terry! What a great post. I've read books before where the heroine doesn't know how to do anything and it irriatates me. Readers want to cheer on a heroine who can pull her own weight, a heroine who is strong.
As a modern working woman, I've always wanted to see historical heroines who care about some kind of work outside of home and family. It's a challenge because I write medievals! My heroine in INNOCENCE UNVEILED is a weaver and my heroine in September's IN THE MASTER'S BED wants to study at Cambridge. To me, the most romantic thing is when the hero embraces her dreams and supports them.
Blythe,
I see the Medieval woman as the 'super mom' as I said the the blog. They had to do it all.
as a man the concept of a women that it's only a housewife is a total bullshit, in our time and with the current economic situiation in the world in a relation both have to work together to improve the life quality.
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