I’d suspect that ninety-nine percent of book editors would run screaming from a plot that featured a beautiful, tempting Pocahontas and a very studly Captain John Smith…after all, history tells us that Pocahontas was about seven when Smith and his crew lan
ded in Jam
estown in 1607. The New World, starring Colin Farrell as Captain John Smith (who obviously was not cast due to a striking resemblance to the legendary colonist) highlighted the romantic attraction between Smith and a teenaged Pocahontas, portrayed by a striking young actress, Q’orianka Kilcher. Before its release, the studio was said to have deleted several love scenes deemed too steamy between the nearly thirty-year old actor and the fourteen year-old actress. Besides the “ick” factor here, this romance is completely inaccurate. Many other scenes in the movie are historically wrong as well, but the romance is the most glaring example of Hollywood mauling the truth in this film.
Disney’s Pocahontas isn’t quite as bad, but as a teacher who works with children who have to learn the facts about the Jamestown expedition and its key players, it’s difficult to overcome the portrayals of Pocahontas as someone who looks like Barbie’s Native American cousin and Captain John Smith as Jamestown Expedition Ken. At least, that’s a fantasy, complete with the requisite Disney talking animals, and that offers a teaching point about fiction versus non-fiction.
Disney’s Pocahontas isn’t quite as bad, but as a teacher who works with children who have to learn the facts about the Jamestown expedition and its key players, it’s difficult to overcome the portrayals of Pocahontas as someone who looks like Barbie’s Native American cousin and Captain John Smith as Jamestown Expedition Ken. At least, that’s a fantasy, complete with the requisite Disney talking animals, and that offers a teaching point about fiction versus non-fiction.
Hollywood has always taken liberties with the truth...huge liberties, in some cases. He
nry VIII is portrayed as a studly hunk in many films, not a gout-ridden, portly monarch. Of course, some would say that Henry was not always fat and was known to be rather athletic in his youth, but how on Earth did anyone decide to cast gorgeous, dark Eric Bana as the monarch in The Other Boleyn Girl ? The portrait of Henry VIII in his twenties shows a man who certainly would not have made a girl lose her head (yes, I know…such a bad pun) if he were not a monarch.
nry VIII is portrayed as a studly hunk in many films, not a gout-ridden, portly monarch. Of course, some would say that Henry was not always fat and was known to be rather athletic in his youth, but how on Earth did anyone decide to cast gorgeous, dark Eric Bana as the monarch in The Other Boleyn Girl ? The portrait of Henry VIII in his twenties shows a man who certainly would not have made a girl lose her head (yes, I know…such a bad pun) if he were not a monarch. Of course, The Tudors casting of Jonathan Rhys Meyers isn’t any more visually accurate, although I think he captures the moods and manipulations of Henry far more convincingly than hulky Eric Bana (yes, another bad pun), who came across to me as a rather dull-witted monarch.
I could go on and on about Hollywood’s historical inaccuracies. Bonnie and Clyde portrayed the notorious bank robbers as lovers on the run, not the cold-blooded killers they were. Braveheart depicts a kilt-clad Mel Gibson even though kilts weren’t worn in Scotland until about three hundred years after William Wallace died. More remarkably, the film depicts Wallace as the father of Edward III, who was born seven years after Wallace’s death (and I thought nine months was a long time to be pregnant). Mel was at it again with The Patriot, in which he almost single-handedly wins a battle that history recorded as a win for the British…a minor detail, I suppose, in the minds of Hollywood. Gladiator’s villain, Emperor Commodus, was certainly not a nice guy, but it’s believed his father died of disease, not at Commodus’ hand. Commodus was murdered after ruling for more than a decade…in his bathtub, not fighting in a gladiator’s ring. I suppose a guy dying in his bathtub would not have created the heroic ending the folks behind Gladiator were looking for, and as I adore Russell Crowe, I’ll forgive this particular inaccuracy.
What about movies that got it right, or at least, close to right? Are there any? Tombstone and Wyatt Earp might have played loosely with the truth and selectively omitted some of Earp’s less than favorable qualities, but both films portray the era with a feel for the times. Plus, Tombstone has Michael Biehn as Johnny Ringo...I just love the actor in that character and root for the villain, much to my husband's chagrin. Cinderella Man is more of an essay about the hardships of the Depression than a boxing movie, and Russell Crowe depicts Jim Braddock with a feel for the desperation of a man during those times trying to keep his family afloat. The Untouchables, while depicting Eliot Ness and his men as almost saintly, does capture the flavor of the times while depicting the truth…all the gun power in Chicago couldn't bring Capone down, but crooked income tax returns did.
What do you think of Hollywood’s view of history? Could authors get away with the gross inaccuracies sometimes found in films? I’m curiously awaiting the new film, Public Enemies, which portrays John Dillinger and Melvin Purvis. Of course, the casting of Johnny Depp as Dillinger and Christian Bale as Purvis (an obvious choice, given that Purvis was about 5’ 4” and looked absolutely nothing like the hunky Bale) might influence my mad dash to the theaters this summer.
I could go on and on about Hollywood’s historical inaccuracies. Bonnie and Clyde portrayed the notorious bank robbers as lovers on the run, not the cold-blooded killers they were. Braveheart depicts a kilt-clad Mel Gibson even though kilts weren’t worn in Scotland until about three hundred years after William Wallace died. More remarkably, the film depicts Wallace as the father of Edward III, who was born seven years after Wallace’s death (and I thought nine months was a long time to be pregnant). Mel was at it again with The Patriot, in which he almost single-handedly wins a battle that history recorded as a win for the British…a minor detail, I suppose, in the minds of Hollywood. Gladiator’s villain, Emperor Commodus, was certainly not a nice guy, but it’s believed his father died of disease, not at Commodus’ hand. Commodus was murdered after ruling for more than a decade…in his bathtub, not fighting in a gladiator’s ring. I suppose a guy dying in his bathtub would not have created the heroic ending the folks behind Gladiator were looking for, and as I adore Russell Crowe, I’ll forgive this particular inaccuracy.
What about movies that got it right, or at least, close to right? Are there any? Tombstone and Wyatt Earp might have played loosely with the truth and selectively omitted some of Earp’s less than favorable qualities, but both films portray the era with a feel for the times. Plus, Tombstone has Michael Biehn as Johnny Ringo...I just love the actor in that character and root for the villain, much to my husband's chagrin. Cinderella Man is more of an essay about the hardships of the Depression than a boxing movie, and Russell Crowe depicts Jim Braddock with a feel for the desperation of a man during those times trying to keep his family afloat. The Untouchables, while depicting Eliot Ness and his men as almost saintly, does capture the flavor of the times while depicting the truth…all the gun power in Chicago couldn't bring Capone down, but crooked income tax returns did.
What do you think of Hollywood’s view of history? Could authors get away with the gross inaccuracies sometimes found in films? I’m curiously awaiting the new film, Public Enemies, which portrays John Dillinger and Melvin Purvis. Of course, the casting of Johnny Depp as Dillinger and Christian Bale as Purvis (an obvious choice, given that Purvis was about 5’ 4” and looked absolutely nothing like the hunky Bale) might influence my mad dash to the theaters this summer.
