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Tuesday, August 23, 2011

Terror and Revenge; Russia's First Female Terrorist by Emma Westport

At 17, Vera Zasulich defied her relatives’ plans to turn her into a governess—the only decent profession for an impoverished young noblewoman—and moved to St. Petersburg.  She hoped to emulate another Vera, Vera Pavlova, the heroine of Chernyshevsky’s novel What Is To Be Done?   Following her idol, Vera helped establish a sewing cooperative and came into with Russia’s most infamous and influential revolutionary, Sergei Nechaev.   Her relationship with him had a profound effect on her life.

Nechaev was a charismatic psychopath.  The model for Dostoevsky’s character Peter Verkhovensky in The Possessed, he believed anything—lies, violence, murder—could be justified in the name of the ‘cause.’   Picked up for questioning by the police in January 1869, he decided to leave Russia.  He wanted Vera to join him.  He loved her, he said.  He needed her.  Vera hesitated—and then refused.

Nechaev left but every letter sent back to Russia, every letter to friends and supporters, asked for news of Vera.  Nechaev knew the police would read these letters yet he made no effort to protect her identity.  Stupidity?  Hardly.  Revenge?  Possibly.  Nechaev was not used to hearing ‘no.’  Vera was picked up for questioning and in April 1869, arrested.

She was imprisoned in the Lithuanian Castle, one of Russia’s worst prisons.  Death and disease ran rampant.  Rotted floorboards gave way beneath her feet and prisoners were afraid to touch the walls lest the slime that grew there come off on their hands and clothes.  Covered in damp and mildew, the prison stank so badly visitors, literally, could not stomach it.

Vera wasn’t interrogated nor was she charged.   She was simply left alone.  Kept in a cell, by herself, for over a year, she had no human contact and no reading materials.  Her mother complained to authorities that she’d been allowed only one short visit with her daughter.  The 19-year-old Vera struggled to stay sane.   

Conditions improved when she was transferred to the Peter and Paul Fortress.  Here, at least, her cell had windows, the food was edible and she was allowed to read any book she could get her hands on.  And then, in March 1871, she was released.  The government decided the evidence against her was too weak to get a conviction. 

She was arrested again ten days later.   Again, no charges were pressed.   With only one ruble in her pocket and the light dress and shawl she was arrested in, Vera was exiled to Novgorod.  A sympathetic guard, afraid she would freeze, literally gave her the coat off his back.  For months, she survived on the charity of villagers and their local church.  She was returned to St. Petersburg in June.  The government wanted her to testimony.

Nechaev had killed one of his followers.  He had escaped abroad but over a hundred of his supporters had been rounded up and put on trial.  Why the government wanted Vera’s testimony can only be guessed at.  She was incarcerated when the murder occurred.  In any case, she was less than cooperative.   “I don’t know” or “I don’t recall” were her most usual replies.   Others were more outspoken, blaming everything on Nechaev.  Among those convicted was Peter Uspensky, Vera’s brother in law.  Sentenced to 15 years hard labor, he was murdered in his cell, suspected of being a police informant.

Nechaev was finally arrested and extradited to Russia in 1872.  Tried and convicted, his hold on the Russian revolutionary movement collapsed.  By then, Vera had no illusions about him.  But, for her, the damage was done.  Her sole goal was the overthrow the autocracy.  The 1870’s were marked by years of exile and increasingly radical activity.

It all came to a head in January 1878.  In the mid-1870’s, Russia had witnessed a remarkable movement, ‘going to the people.’  Young men and women left their homes and universities to work among the peasants or take jobs in factories, hoping to foment change.  Arrested by the hundreds, many, like Vera, were held for months, then years, without trial. 

One of those prisoners was Arkhip Bogoliubov.  He was not a remarkable man.  He didn’t head any movement nor were his ‘crimes’ any worse than anyone else’s.  His only mistake was to be standing in the prison courtyard , talking to friends, when General Feodor Trepov, Governor of St. Petersburg, made an unannounced visit.  Already outraged by what he saw as the breakdown of discipline in the prison, Trepov snapped when Bogoliubov refused to remove his cap.  Trepov struck the young man and ordered him flogged. 

It was a stupid, petty show of tyranny and that was exactly how the press portrayed it.  Vera waited to see what would happen.  Surely the government wouldn’t get away with something so vile.  Trepov had to be punished.  He wasn’t.  Taking matters into her own hands, Vera returned to St. Petersburg.   On the morning of January 24, 1878, she hid a revolver under her shawl and joined the other petitioners lined up to see the Governor.  When Trepov approached her, Vera fired twice.

That she didn’t kill him was a miracle.  Arrested and put on trial, Vera expected to hang.  But neither she nor the prosecutor recognized the mood in the country had changed.  Educated society was disgusted with Trepov.  Far from condemning the quiet, unassuming Vera, they admired her.  She had done what men had feared to do.  She’d said ‘enough.’  Then her attorney, Peter Alexandrov, turned the court on its head.  He defended Vera—and attacked the government. 

The jury deliberated only 30 minutes before Vera was acquitted on all charges.  People came to their feet and cheered.  Amid rumors the government planned to re-arrest her, Vera was spirited away.  Friends convinced her to leave Russia.

A reluctant heroine, Vera continued her revolutionary activities abroad but came to disavow terrorsim.  She opposed the October Revolution of 1917 and attacked Lening openly, seeing too much of Nechaev in the man.  She predicted what Lenin's brand of Communism would do to Russia.  She died in 1919.

(For further reading, Ana Siljak’s Angel of Vengeance:  The Girl Assassin, the Governor of St. Petersburg and Russia’s Revolutionary World offers great insights into the event and turbulent period of pre-revolutionary Russia. )





Sunday, August 21, 2011

Spies in Pop Culture...How Do I Love Them, Let Me Count The Ways!

I have a confession...this blog will not deal with spies who made any impact on the events of nations...nope, these spies weren't even real. My blog this month is a tribute to spies in pop culture. I've always been a fan of spy movies and television shows. Even now, I do a little glee-filled dance each time a disc with old episodes of the Avengers arrives in the mail. I love the characters of Emma Peel and John Steed, and must admit that I am among those in the world who loved the Avengers movie with Uma Thurman and Ralph Fiennes, regardless of the critics' opinions. Intrigue, sophistication, and secrecy...delightful! Perhaps it's because I'm a Scorpio. Perhaps it's because I love the gadgets and cars. Who knows why...I only know that I love spies in pop culture.

Of course, the most well-known pop culture spy is Bond, James Bond. Despite his many incarnations with actors who don't even resemble each other (of course, one could say the same of Batman), one thing stays the same: he's the alpha male's alpha male. Daring, smart, and never in need of a nap, he's virility and daring personified. Many think Sean Connery's portrayal of Ian Fleming's creation is the superlative incarnation, but I think Daniel Craig has made the character his own. Gritty and real, he brings a human quality to the Bond character that I feel Connery lacked. I also liked Roger Moore's twinkle in the eye...a totally different take on the character, but very much in keeping with the irreverence of the seventies.

Emma Peel is my idol. Nearly fifty years after the Avengers first aired, Diana Rigg's portrayal of the sleek agent remains the epitome of a female spy. Witty, sophisticated, and the intellectual superior of the men who were foolish enough to confront her, she set the bar high. Ah, to slink along in a cat suit and disarm men with a well-placed kick...such is the fodder of my dreams. Her partner in espionage, John Steed, was immaculately attired and painstakingly well-mannered, yet he could kill a man with his hat and his umbrella without breaking a sweat. Impressive, indeed!

And then, you have Austin...Austin Powers, that is. Yeah, Baby! This character blends the suave, lady-killer spies of the sixties and seventies into one "hairy-like-animal" creation who's bold, a bit obtuse, and ultimately quite a sympathetic character. As a fan of sixties spy flicks, Mike Myers' homage to slick spies like In Like Flint's Derek Flint, James Bond and Michael Caine's Harry Palmer with a touch of Dr. Strangelove mixed in for good measure was a perfect guilty pleasure. I admit to feeling a surge of excitement each time there's a mention of Austin Powers 4 in the works...oh, if only my dreams would come true...

My new release from Ellora's Cave, Claimed by the Spymaster, was inspired by my longstanding fascination with spies. If I had to say which pop culture spy I had in mind, it would be Ralph Fiennes' portrayal of John Steed. British spy Alec Jameson is sophisticated, cultured, and lethal, and he'll stop at nothing to capture a traitor to Queen Victoria's empire. 

Here's a little about the story:

Russian actress Valentina Baranova travels to England to marry, but the arrangement is definitely not a love match. Betrothed to a cunning and ruthless English lord, she’s the sweetener in a deal that will put stolen British documents in Russian hands and curry the Czar’s favor for her father. Determined to escape her loathsome intended, she flees him—and promptly falls into the hands of his most bitter enemy. An enemy who stirs her like no other.

Spy for the crown Alec Jameson, Lord Carrington, is on a mission—unmask the traitor responsible for his brother’s death before the blackguard can further betray Queen Victoria’s empire. Capturing Valentina to use as bait, he spirits her away from London. Despite his efforts to resist the alluring captive he’s snatched from his enemy’s grasp, Alec claims Valentina in the most carnal way possible. Once the beauty has been in his bed, he wants her for his own. But she must lay siege to a long-untouched part of Alec’s existence—his heart.

Claimed by the Spymaster is available from Ellora's Cave

Next month, I promise a more serious look at spies throughout history. But my thoughts as summer winds down, my thoughts are focused on much lighter fare. Hope you'll leave a comment and sound off on your personal favorites in the world of fictional espionage!

Speaking of spies, if you perform some reconnaissance among the Seduced by History postings for the month of August, you can enter the Seduced by History contest. Here are the details:

SEDUCED BY HISTORY AUGUST CONTEST: Seduced by History Blog is hosting a month-long contest in August. One winner will receive a ‘basketful of goodies.’ All you have to do is check in on each blog during the month, look for a contest question to answer and September 1-5, 2011 send in your answers to seducedbyhistoryblog@yahoo.com. For full details, read the information on the right or click the CONTEST page.

My question:
Which fictional spy inspired the character Alec Jameson in Claimed by the Spymaster?

Saturday, August 20, 2011

Lady Agnes Randolph, Countess of Dunbar and March

In 2007 I splurged and bought a copy of the BIOGRAPHICAL DICTIONARY OF HISTORY OF SCOTTISH WOMEN and was amazed at the breath and scope of Scottish women who for centuries have been absent in Scottish history. Sure we all know about Queen Mary of Scots and Flora MacDonald, but what about Caroline Oliphant, Lady Nairne (songwriter, 1845), or Finella (assassin, 995) or Marion Gilchrist (physician, 1894). But one of my favorite Scottish women is…

Lady Agnes Randolph, countess of Dunbar and March

(Black Agnes)

“She kept a stir in tower and trench,

That brawling, boisterous Scottish wench

Came I early, came I late,

I found Agnes at the gate.”

---from a ballad attributed to the Earl of Salisbury


Lady Agnes Randolph was born before 1312, the daughter of Isabel Stewart, a cousin of Walter, the High Steward of Scotland and Sir Thomas Randolph, the first Earl of Moray - a hero of the Scottish Wars of Independence and the man named Regent after the death of Robert the Bruce. He is thought by most historians to be the nephew of King Robert through the first marriage of the king's mother, Marjory Bruce. Agnes married Patrick Dunbar, ninth Earl of Dunbar and March sometime before 1324.






Dunbar Castle in East Lothian was the strategic keep for both the Scots and the English during the two Wars for Scottish Independence After the battle of Bannockburn in 1314, when King Robert Bruce's army routed the army of Edward II, Patrick Dunbar was forced to give sanctuary to Edward at Dunbar before Edward was whisked away to England. Later, Bruce forgave Patrick Dunbar making him guardian of Berwick Castle in 1322. Dunbar tore down his own castle at Dunbar after trying to defend both from the English. However in the second war of Independence, Edward III forced Dunbar to rebuild Dunbar at his own expense to house English soldiers. But in 1338 Dunbar now a patriot of the Scottish cause got it back.

http://www.marie-stuart.co.uk/Castles/Dunbar.htm

http://en.wikipedia.org/wiki/Dunbar

http://www.undiscoveredscotland.co.uk/dunbar/dunbarcastle/

In early 1338, while Patrick was elsewhere with the Scottish army, Agnes was left to defend the castle against the English Earl of Salisbury. Salisbury thinking a castle held by a woman was easy pickings but he quickly learned Agnes was no ordinary woman, she was a Scot. When Agnes refused to surrender, he catapulted the castle with huge rocks and projectiles, but Agnes rallied her women when there was a lull in the barrage, she signaled her refusal to surrender by having her ladies in their best clothing meet on the ramparts to dust away the mess with white cloths as if they were doing a bit of cleaning, a suitable insult.


Frustrated Salisbury brings in a battering ram, but of course Agnes was ready as she had her men drop one of the huge rocks his army had catapulted into the castle bailey and smash the ram. Salisbury is now really getting frustrated, so hoping to get inside he tries to bribe a local village inhabitant but was thwarted again. Adding to his frustration throughout the siege are Agnes and her ladies continued attemps to thwart him at every turn with verbal insults as if he were less than important.

As the siege has dragged on for weeks, Salisbury decides to bring her brother, Sir John Randolph, the Earl of Moray now a prisoner of the English, to the castle. Sir John was forced to call out to his sister, that if she didn't surrender he would be killed. Agnes in bold Scottish determination replied:"...if he is killed he has no heirs, so his land will become mine." Not quite the reaction Salisbury expected from a loving sister. Randolph was returned to prison and the siege continued on with an impotent Salisbury.





What Salisbury was not aware of was despite the fact his army had the castle surrounded on all sides but one, the water, in the dead of night the townsfolk would row over supplies for those trapped in the castle. When the Scottish hero Alexander Ramsay learned of Agnes's plight and with his 40 Scottish troops he entered the castle through the water entrance to rally those inside. The five months siege ended when Ramsay and his troops surprised the English by riding out the castle gate and attacked the English. Totally surprised the Salisbury’s army scattered, and on June 10, 1338 Salisbury signed a truce and left the castle to Black Agnes.



'The mother of two sons who did not survive her, Agnes died in 1369, and her husband died a few months later. Oddly enough, in 1347 her brother John died with no heirs, and Agnes inherited his wealth/lands. She was called Black Agnes not because she was wickedly evil to the English but because she had a dark complexion.

Jody…

For all those who leave a comment you will be enrolled in a drawing for a copy of David R. Ross’s book Women of Scotland, please leave your email address.

SEDUCED BY HISTORY AUGUST CONTEST: Seduced by History Blog is hosting a month-long contest in August. One winner will receive a ‘basketful of goodies.’ All you have to do is check in on each blog during the month, look for a contest question to answer and September 1-5, 2011 send in your answers to seducedbyhistoryblog@yahoo.com. For full details, read the information on the right or click the CONTEST page.

As one who loves the history of Scottish women here is my contest question..

Who was the first Scottish woman to climb Ben Nevis in a bikini and why?

Friday, August 19, 2011

Montgomery Ward Catalog

By Anna Kathryn Lanier
Yesterday was 129th anniversary of the launch of an innovative idea that  became an American icon.  On August 18, 1872 Aaron Montgomery Ward started what would become a 113-year business with the first mail-order catalog on a single sheet of paper.  Montgomery was born in New Jersey in 1844, but his father moved the family to Michigan when he was nine.  At the age of the fourteen, he became an apprentice for a barrel making factory, before working in a brick factory. He later moved to St. Joseph, where he entered the retail business.  Within a few short years, he’d worked his way up from mere clerk to manager, making $100 a month, plus board, excellent pay at that time.

In 1866 Ward moved to Chicago and started working for Field, Palmer and Leiter, the forerunning of Marshall Field and Co. For several years, he travelled by train and horse buggy to rural merchants, listening to complaints from both owners and their customers on the hardships of receiving goods. He decided there had to be a better way of delivering merchandise to rural Americans. Though his idea was considered to be not only radical, but crazy and his first bit of inventory was destroyed in the Great Chicago Fire (1871), he pushed on. With two fellow investors and $1,400, he started his mail-order business with 163 items available.    

Both his partners sold out a few years later and his brother-in-law, George Thorne joined the company.  With the help of members of the Patrons of Husbandry, the Midwestern farmers’ association, the business grew rapidly from the single sheet of paper advertising merchandise to a 152-page catalog with over 3,000 items in it by 1876.

In 1897 the catalog was 1,000 pages and annual sales were $7 million.  By 1910, sales were $21 million and the company employed 7,000 people at their Chicago operations.  In another 10 years, by 1920, sales exceeded $100 million in mail orders. A few years later the company opened its first retail store and did well during the Great Depression, with annual sales going from $200 million to $400 million. The company didn’t do as well during the last half of the 20th Century and in 1985, the company closed its 113-year-old catalog operation. In 2000 it announced the closing of its retail stores.

Throughout the years, Ward's catalog sold all manner of goods. Clothing, underwear, corsets, shoes, cellos, toilets, barbed wire, windmills, bells, bicycles, steam engines, butter molds, clocks and, even, birth control….though it wasn’t called that, of course….could be found between the catalog covers. When the new ‘wish book’ arrived, the old one more than likely was sent to the outhouse for additional usage.

With his novel idea, hard work and the slogan adopted in 1875, “satisfaction guaranteed or your money back,” Montgomery Ward proved to consumers and naysayers alike that reaching the far corners of rural America was good business.

Reference websites:




SEDUCED BY HISTORY AUGUST CONTEST: Seduced by History Blog is hosting a month-long contest in August. One winner will receive a ‘basketful of goodies.’ All you have to do is check in on each blog during the month, look for a contest question to answer and September 1-5, 2011 send in your answers to seducedbyhistoryblog@yahoo.com. For full details, read the information on the right or click the CONTEST page.

My question: How many pages was the very first Montgomery Ward Catalog and how many items did it feature? (information given in two different paragraphs)


Anna Kathryn Lanier
Where Tumbleweeds Hang Their Hatswww.annakathrynlanier.com
www.annakathrynlanier.blogspot.com

Thursday, August 18, 2011

The Medieval Take on Marriage of the Aristocracy

With much ado about royal weddings this year, a historical perspective might curb fairy tale dreams for William and Kate’s marriage. Unlike the modern hope that marriage includes romance and love, medieval society held no such expectations. Marriage was a matter of dynastic survival. In a world where battles over boundaries abounded and family fortunes were decided by the slash of a sword, noble medieval brides were valuable tools to advance their family’s ambitions and dynastic claims.

Betrothed in their infancy, the young noble girl just out of the nursery left her home for her future husband’s land and court to learn the language. There she was to play out her part in a political game whether it be filling her husband’s treasury with her dowry and land, be the embodiment of a strategic alliance or a truce.

Matilda, the daughter of Henry I of England, left her native home in England at age of six to become the bride of Heinrich V of Germany, who was future Holy Roman Emperor. When she turned twelve, the canonical age for marriage, the official wedding took place. Firmly ensconced in her position as a wife, her duties began.

Duties assigned to medieval noble wives were five in number. All carried a risk for the noblewoman.

The crucial task was to provide her husband with a legitimate heir to inherit his titles and land. If the marriage remained childless, two options were available for the families of the bride. If the husband died before the noble woman, his wife was once again the pawn of her family politics. Matilda found herself in such a position in 1127. With Heinrich’s death, her father Henry I of England forced to her marry a man eight years her junior and of inferior status. Her marriage to Geoffroi, the heir of Anjou, protected Henry’s duchy of Normandy from French encroachment. It would also provide his heirs to the English thrown through her bloodlines as Matilda’s brothers were dead.

The other possibility for a woman in a childless marriage was annulment of the marriage. With the Pope willing to annul his marriage, the nobleman was free to find a new wife. His former wife, being barren, was of no use in the medieval political games or in the eyes of medieval society because she had failed in her wifely duty, was shipped off to a convent for the rest of her life. The treatment could also apply for reason of state. When Louis VII’s sister-in-law, Petronilla, needed a husband, the king of France chose his cousin, Raoul, Count of Vermandois. Although the count was married at the time Eleonore of Champagne, the Pope saw no problem of nullifying the first marriage to sanctify a second.

If the lady managed to produce the heir and survive, her next duty was to conduct herself in her husband’s court with a piety and decorum that left her and her children above any scandalous rumors that would cause her husband’s enemies to question the heir’s right to the lands. Otherwise she faced retribution. Her supposed lovers would face execution while she would be imprisoned or executed. The trumped up charges of scandalous love affairs sometimes accompanied reason of state, namely the need for a male heir, for removal of a wife. Anne Boleyn is the most notorious example.

While her husband presided over his court and his lands with an absolute justice, the noble wife had the duty to bring clemency and mercy to those judgments by interceding with her husband. This allowed the king to mete out leniency without jeopardizing his iron authority.

The noble wife’s next task was to secure her husband’s borders and lands while he was away at war or on a crusade. Although her husband had taken over the rule of whatever lands she brought in her dowry, she was his deputy when he was gone or unable to rule. Margaret of Anjou, married to a simpleton, Henry VI of England, had a more difficult task. She fought from 1444 until 1471 to keep control of Henry’s realm in the king’s name. While she was ultimately defeated by the Duke of York and imprisoned, she embodies the struggles to ensure a dynastic line that was the heart of marriage in medieval England.

The final task a noble wife faced was securing and holding her eldest son’s territory for him while he was yet a minor. The fact that Matilda, the daughter of Henry I, was able to negotiate a settlement with Stephen whereby her son Henry II would succeed him proves tenacious women could protect their children’s claim to the throne. However, Margaret of Anjou’s life as a queen reflects the other side. After years of protecting her husband and son, she was unable to defeat the Duke of York. With Henry VI in his possession, the Duke of York waited until he pinned Margaret and her son down when they landed in England in 1471. Prince Edward was killed in the engagement, Margaret was taken prisoner, and Henry died the next day. Margaret lost the battle to save the Lancastrian inheritance of England for her son.

A love match simply wasn’t part of the medieval calculated marriages. As a modern romance writer with modern views on marriage, the actions of the medieval lords against their wives leaves me with plenty of fodder for the two wives my fictitious first Earl of Ryne. There are plenty of indignities that would motivate a woman, or in my case two women, to haunt his castle for five centuries in Wanted Ghostbusting Bride.

For further information about royal brides of medieval England and the politics that swirled about them, read She-Wolves: The Women Who Ruled England Before Elizabeth by Helen Castor.

Who are the four She-Wolves Helen Castor writes about? Hint (Visit my website for the answer)

Margaret Breashears

www.wantedghostbustingbride.com

Monday, August 15, 2011

FUN FACTS ABOUT WOODSTOCK

by Debby Lee
Sometimes, with the most nonchalant of actions, people make history and they don’t even realize it. Forty-two years ago today, thousands of people walked on to a humble dairy farm in upstate New York, and did just that. They made history.
They traveled from the farthest corners of America in psychedelic buses and Volkswagen Beatles to sway to the rhythm of the music. While most people know about one of the greatest rock concerts of the 20th century, many may not know all the interesting facts behind the story. Here are a few.
-Woodstock was originally scheduled to be held in Wallkill New York. The city got nervous and backed out on a technicality at the last minute. Because of this, the concert nearly didn’t take place.
- In April of 1969, Credence Clearwater Revival was the first band to sign on and agree to play at the concert.
-The first performer on stage was Ritchie Havens who began on Friday. He wasn’t scheduled to be first but many musicians were stuck in traffic and were unable to arrive on time. Jimi Hendrix was the last performer who wrapped things up on Monday.
-The concert actually took place closer to the town of Bethel and not the town of Woodstock as many people might assume. Bethel is 43 miles from Woodstock.
-The cost of attending Woodstock for three days was 18 dollars. Tickets were sold in advance. Many people attended for free due to a combination of overcrowding and unprepared concert organizers.
-The Who had the longest play list with 24 songs. The Quill had the shortest with a performance of only one song.
-Charles Schultz is said to have named one of his Peanuts characters Woodstock, in honor of the music festival.
-Max Yasger died of a heart attack in 1973. He received a full page obituary in Rolling Stone magazine for his contribution to music. A rare honor indeed. Thank you Mr. Yasger.
I would have loved to have attended the music and arts festival of the century, but I was only three years old at the time. I missed out on the peace, the love and the camaraderie, and yes, the mud, the cold and the hunger too. But sometimes great moments are a combination of hitting the high notes with perfect pitch and playing off key in a tone deaf band.
So, next time life throws some glitches into your melody, try to learn something from the experience and love your brothers in the process. You never know, you just might be making history.

Thank you for taking the time to stroll down memory lane with me. I hope you enjoyed the journey. Look for my short story, Butterflies Are Free, coming soon from Books to Go Now. Feel free to visit my newly updated web site at booksbydebbylee.com

Question of the day. How many Woodstock performers can you name? Hint: a few are named in the article. Answer the question in the comment section of the blog and be entered to win a Woodstock button (not from the actual festival) and a copy of my short story Butterflies Are Free, when it comes out.

Saturday, August 13, 2011

Why I was seduced by history

Why I was seduced by history

I was seduced by history by my history, if that makes sense. I was born in Illinois, and for the first seven years of my life my family lived either with or across the alley from my paternal grandparents. And my material grandparents lived in the next little town a whole seven miles away.

We went back to Illinois every summer until after I graduated from high school. I spent those summer sitting on the front porch at the family reunions with tons of aunts, uncles, cousins, grandparents and great aunts and uncles, second cousins – you name it, they were there. And they all talked about when they were kids, or told the stories they had heard from their parents.

So I always knew my family’s histories, and where I fit into the scheme of thing (luck me!). So I grew up hearing the stories of my ancestors told of growing up in the 19th century, or with Indians, or wild animals, or the weather. Going to school, it seemed a logical choice to study history – because it just to story of people.


And teaching history lead me to the writing of historical romance. Researching this historical periods is easy and a lot of fun for me. When I write, I like to think that the characters I’m writing about lived just down the lane from my ancestors.

This was especially true when I wrote my first book, Kentucky Green, I used a lot of thing I remembered from my family’s stories in this book. One was my great grandmother’s dislike of soft butter, so my grandmother chore as a little girl was to walk down to the spring house where the butter was stored and bring it up for each meal.

I also have a scene where my heroine is churning butter, which was another of my grandmother’s jobs, so I had my heroine use the same rhyme that my grandmother used.


“Come (up) butter (down), come (up).
Come (down) butter (up), come (down).
Little Peter (up) at the gate (down), for his buttered (up) bread does wait (down)
Come (up) butter (down), come (up).

Writing historical allows me to keep the past alive, for me, and hopefully for my readers.

Why were you seduced by history? Family? A favorite teacher? Or just lucky?