Settings that Inspire Stories

By Michelle Willingham

When I was growing up, some of my favorite historical romances were medievals. I devoured books by Jude Deveraux, Johanna Lindsey, and Julie Garwood. I loved writing and the first romance I ever attempted was set in medieval Scotland. The wild landscape, Celtic mysticism, and legendary heroes were all irresistible. But when I visited Ireland on a trip in 1993, I sensed an unexpected connection to the country. The moment I set foot upon the green fields, I felt like I was coming home. And when I stood on the parapets of a castle, I knew that I had to set a book in medieval Ireland.

I could visualize the fierce warriors, fighting for their land and their women. Their stories called to me, and just before I sold my first book, I went back to Ireland for additional research. One of the most memorable castles was Trim Castle. Instead of the government renovating it, they chose to leave it in its natural ruins. Ironically, I later learned that Trim Castle was one of the settings used in the movie "Braveheart." Apparently the producers decided that Trim was a more visually compelling location than Scotland.



But it was there that my Irish warriors truly came to life. As I walked through the different stone chambers, I could imagine the men training, their swords echoing within the inner bailey. I took endless photographs of artifacts and architecture, and sometimes a detail would come into the story when I least expected it.

One of the rooms within Trim Castle was a tiny family chapel. The whitewashed limestone walls still held traces of the original coating, though it was covered in green. The small stone chapel became a setting in my newest book, Taming Her Irish Warrior, though not in the way I anticipated. My heroine, Honora St. Leger, learned to train with a sword alongside her childhood friend Ewan MacEgan when they were fostered together. The book opens inside the chapel when Honora is wielding her sword against a thief who's been stealing religious artifacts.

After standing inside the chapel, I could visualize that scene in vivid detail, and it was great fun to write.

Other castle details also surprised me, like how narrow the spiral stone staircases truly were. No hero could possibly carry a heroine up the stairs; he'd knock her unconscious rounding the corner. But my favorite architectural element was the battlements of a castle. There was something incredibly romantic about the visual atmosphere, overlooking the rest of the castle grounds. Although they were primarily for a military use, I knew I wanted to set another story against that backdrop.

My connected novella "The Warrior's Forbidden Virgin" is about Honora's sister, Katherine of Ardennes, and her unexpected romance with Sir Ademar, a hero who rarely speaks. I used the battlements as the opening setting for a scene about two people betrayed by those they loved. The danger of the narrow parapet walkway, coupled with a fierce rain, gave it exactly the tone I wanted.

Have you ever been to a location, historical or natural, that spoke to you? Did you ever sense the ghosts of the past? Or if not, where have you always wanted to visit? Post a comment, and I'll offer up a signed copy of Taming Her Irish Warrior and a free download of "The Warrior's Forbidden Virgin" to two lucky winners! Visit my website at www.michellewillingham.com for excerpts, behind-the-scenes information, and more photographs of Ireland.

Michelle Willingham
http://www.michellewillingham.com/

Holding out for a Hero

"I need a hero
I'm holding out for a hero 'til the end of the night
He's gotta be strong
And he's gotta be fast
And he's gotta be fresh from the fight."

Back in 1984 singer Bonnie Tyler sang a song that women everywhere could relate to - we wanted a man who could fight the rising odds and win. A man with a core of honor and and a sense of chivalry that would impress us. One who could impress us with his sensitivity yet protect us from evil. Yup, those are the heroes I like and the kind I try to write.

It was super helpful to me to discover Complete Writer's Guide to Heroes and Heroines: Sixteen Master Archetypes by by Caro Lafever, Sue Viders, Tami D. Cowden. This book describes character archetypes because I realized that my favorite hero type was the warrior. Oh my heroes might have a hint of the chief, bad boy, best friend, or lost soul to him. But ultimately...at his core...he was a warrior.

I'm a sucker for the guy who'd die for a cause or for a loved one. The man who would tear up over an injured horse then turn around and kill the scumbag who had wounded the animal. The warrior is the protector. The stand-up guy with honor but he's also lethal in a fight and lethal is relative.

A warrior doesn't necessarily take out his sword and kill the bad guy - unless he's a medieval hero. If he's a modern hero, he's the one who will plan the financial demise of a bad guy if it's against the law to kill him. Or he's the cop who will hunt down the criminal and put him in jail while following the letter of the law because the law is his code of honor. He'll also put himself between the heroine and danger, whether she wants him to or not.

The fun thing is that the very things that make him an outstanding hero also make the heroine want to kick him in the butt. He may lie to protect her, which she'll resent. The hero may try to wrap the heroine up in cotton wool so that she's never hurt, when what she really wants is to stand at his side as his equal to help him fight the bad guys. His sense of honor can be a straight jacket - creating a rigidity that only the heroine can help him break down. His willingness to jump into the fray to defend others can become reckless abandon that has the heroine terrified he's going to get himself killed so it's up to the heroine to straighten him out. Isn't it nice how all of his good traits have a flip side which enhances the story conflict. I love it when a plan comes together.