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Showing posts with label erotic romance. Show all posts
Showing posts with label erotic romance. Show all posts

Wednesday, October 13, 2010

Music hath powers -

Music hath powers –

At one of our chapter meeting we had a workshop where we listened to music and wrote a paragraph or two in response to the music. This was a new experience for some of the members, but I’ve always listened to music as a background when I write. Mostly, I choose music to give me a feel of the time and period I’m writing.

The idea is to choose music that will focus you on whatever your writing. For example, the story of KENTUCKY GREEN takes place in 1794 and involves the conflict between the Indians and the American in the what was then the Ohio Territory. The hero is part Shawnee, and much of the story takes place outside, so I had a recording (which I’ve lost) of Indian flute music that also included the sound of streams and bird songs.

I also listened to the sound track of The Last of the Mohicans*, as the look and feel of the movie was the same as my story.

When I was doing research for writing COLORADO SILVER, COLORADO GOLD, I found a great CD. The story takes place in Durango, Colorado, and he hero of the story, who now works for Wells Fargo, grew up in a saloon. Several scenes take place in a saloon. The CD I found is Durango Saloon*

Of course, for writing the romantic scenes, I have recordings of love songs. If there are lyrics, I tend to listen, so all the music has to be instrumental, so it just washes over me.

My current work are westerns set in Texas. And, if you’ve read my previous blog you know I love western movies*. So I have several CDs of western movie themes*.

Now, as I said, when I’m writing I can’t listen to music with lyrics. But on the way home from work, I can listen to music that will get me in the mood. Nothing like Marty Robbins* who’s most famous song is El Paso. I’ve read that his grandfather was a Texas Ranger who told him stories when Marty was a boy. And since my heroes are Texas Rangers --- you get the idea.

While writing the first of three stories, one of the song lyrics gave me an idea for the next story.

I also use several movie soundtracks as background music as I write. Gettysburg* for the epic, sweeping sounds, Quigley Down Under*, even through its set in Australia, it has that wide open spaces feeling. I like Cowboy Celtic, for the hammered dulcimer sounds.

And lest you think all I listen too is western stuff, I also used the Onigo Boingo* track of Not My Slave to represent the conflict between the hero and heroine in one of the Texas stories.

So, do you use music in your writing? How? What do you listen too?
*******
Last of the Mohicans, soundtrack, Trevor Jones and Randy Edelman
Durango Saloon, Peter Elman
The Wild West, the Essential Western Film Music Collection
Marty Robbins, #1 Cowboy, Gunfighter Ballads and Trail Songs
Cowboy Celtic, Davie Wilkie
Gettysburg, movie soundtrack, Randy Edelman
Quigley Down Under, movie soundtrack, Basil Poledoruis
Best of Boingo, Danny Elfman

Monday, June 21, 2010

Bad Boys, Bad Boys....




Who doesn’t love a bad boy?

Whether a hero or a scoundrel,
the classic ba
d boy is hard to resist. Some of my favorite heroes in literature and film are bad boys at heart. I can’t speak for all women, but bad boys make my pulse race just a bit faster. I’ve always had a thing for the bad boy. Even watching reruns of I Dream of Jeannie, I wanted Jeannie to dump Tony, the All-American good guy and choose his bad boy buddy, Roger. And then The Fonz came along, with his finger snap and toughness, followed by greaser Danny Zuko, and I was completely hooked on the bad boy. What makes a bad boy so darned appealing?

The classic bad boy is a sexual being. These men aren’t metrosexual. They aren’t betas. They’re alpha all the way. Gerard Butler is the epitome of the bad boy. Whether he’s playing Dracula (Dracula 2000- if he’s Dracula, I’ll never wear a turtleneck or a crucifix again), the Phantom of the Opera (honestly, the mask was not a deal breaker for me…a little kinky, but not over the top), a Spartan warrior (300), a mercenary with biceps of steel and a heart to match (Tomb Raider – The Cradle of Life),

a risqué TV personality advising women to toss their How to Get A Man to Love You guidebooks and get on a Stairmaster (The Ugly Truth), or an ex-cop with an attitude (The Bounty Hunter), no one could ever believe Gerard is a man who’ll spend his Saturday night dozing in a chair after watching an episode of Cops.

Bad boys can be suave and worldly, like Robert Downey, Jr.’s Iron Man, Tony Stark, or intellectual and socially awkward, such as the actor’s portrayal of Sherlock Holmes. Holmes is brilliant, analytical, bucks authority at every turn, and lacks social graces. Robert Downey, Jr. has created two distinctly different characters who are both bad boys at heart. I don’t imagine Sir Arthur Conan Doyle envisioned Sherlock as a rebel, but RDJ’s characterization is all rebel, all the way. Whether he’s dealing with the police or a brilliant villain, he’s not about to conform to their expectations. Perhaps the thing I like most about both Sherlock Holmes and Tony Stark is their attraction to smart, strong women. Bad boys aren’t intimidated by women who are their equals – they thrive on the challenge.

The classic outlaw is undoubtedly a bad boy. Jack Travis, the hero of my new release, Destiny, steals Emma Davenport, a high-powered senator’s daughter from the train carrying her to the scoundrel she’d planned to marry, imprisons her in a remote cabin in the heart of the Appalachian valley, and teaches her that seduction doesn’t always involve poetic words and courtly manners. As he falls hard for Emma, a woman whose sheltered existence has masked a strong will, keen intelligence, ingenuity, and guts, he’ll risk his neck and everything he’s ever cared about to protect her. His bad boy arrogance doesn’t change one fundamental fact – Jack is an alpha with a strong sense of his principles, a man who’ll fight and die for the woman he loves.

Bad boys don’t run from a fight. They might even pick the fight, if it suits their purpose. My soon-to-be released historical, Angel in My Arms, features Jack’s partner, a Union spy who starts a drunken brawl for a very deliberate reason. It lands him behind bars and he’s facing a noose the next day, but Captain Steve Dunham do it all again – if it gets him closer to his goal and the heroine.

Intellectuals can be bad boys, too. Indiana Jones (be still my heart – the image of Harrison Ford with that white shirt, unbuttoned just enough…) is a scholar, an archaeologist of all things. After watching Raiders of the Lost Ark, I never pictured archaeologists as dusty old men again.

Romance is filled with bad boys. One of my favorite bad boys is Captain Doom from Teresa Medeiros’ wonderful Thief of Hearts. I’ve read it so many times, my copy is ready to fall apart. Leo, the hero in Lisa Kleypas’ wonderful Married by Morning, is a rake through and through, but his vulnerability and responsibility for those he cares about make him irresistible. And who wouldn’t wish, just for a little while, to be abducted by Justin, the Duke of Kylemore, in Anna Campbell’s Claiming the Courtesan?

Who are some of your favorite bad boys from romance and film? What do you love most about them? I’ll choose a random commenter to win a pdf of Destiny.