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Monday, July 18, 2011

Biography - The Seeds of A Story

When I was reading about the War of the Roses, I became fascinated with Thomas Stanley. Born in 1435 to Thomas Stanley, Knight Lord of Lathom and Joan Goushill, he was a direct descendant of Edward I King of England. In 1457 Stanley married Elizabeth Neville the sister of the Earl of Warwick, a powerful English noble commonly referred to as the kingmaker. In 1459 when his father died, Thomas Stanley inherited the title the King of Mann.

Stanley’s lineage, title, and marriage placed him in the middle of the English War of the Roses, the battle for the English crown between two branches of the royal family. Crafty and ambitious, he successfully played the Lancastrian faction against the Yorkist against during the reigns of Edward IV, Henry VI, and Richard III.

In 1482, he married Margaret Beaufort, Countess of Richmond and the mother of Henry Tudor. While his wife actively conspired to place her son, heir of the Lancastrian line, on the thrown and topple Richard III, Stanley managed to escape the label of traitor under Richard III.

Even though Stanley had promised to support Richard III at the Battle of Bosworth Field 1485, he delayed committing his army until Richard decided to charge Henry Tudor’s position. When Richard III’s horse bogged down in a marsh, Stanley committed his forces to Henry Tudor, his stepson. Richard III was killed, and Henry Tudor became King of England.

As a reward for Stanley’s actions at Bosworth Field, Henry VII created a new earldom of Derby and made Stanley the first Earl of Derby. Later on Henry VII’s coronation day, Stanley was appointed Lord High Steward of England.

It was in Stanley’s fortuitous marriages and his connection to the Kings of England at I found the seed for my story. Stanley’s history suggested the possibility of a romantic suspense filled with family strife. Of course, I played with historical fact a tad. In Wanted Ghostbusting Bride, Godfrey Markham, the first Earl of Ryne, is the ancestor of the hero. Godfrey’s actions and marriages have caused a ghostly war – one that plagues the hero five hundred years later.

Margaret Breashears

www.wantedghostbustingbride.com

Friday, July 15, 2011

Fun and Pastimes in Medieval Italy

The Palio of Siena

by Jannine Corti Petska

Italy has long been integral in the flourishing of the arts, literature, finances, and fashion throughout Europe. But what did they do in the Medieval period for fun?

In my Italian medieval romances, I have explored many ways Italians have whiled away the hours when not engaging in necessary and important business. In THE LILY AND THE FALCON, I added a game of kicking an animal’s bladder into opposing tents at the hero and heroine’s wedding. Today, this game is called soccer or, as the Italians refer to it, calico.

In the fourth book of my Italian Medieval series, TEMPT NOT MY HEART (not contracted at present), the famous horse races of Siena are a vital part of the story. Portions of the following are taken from an article I wrote that ran in Renaissance Magazine, issue #31, entitled “The Games of Siena.”

Throughout history, men have tested their strength, endurance and skill in ways that have often seemed barbaric. The games of medieval Siena were a prime example of the extent these men carried their quest in order to be hailed a champion. For what began among military forces as a war-like competition, soon evolved into violent rivalry between the contrade (districts or neighborhoods) of the town.

Only one contest has survived the centuries—the Palio—which existed well before the 11th century and took place two times a year: on July 2nd, in honor of the Madonna of Provenzan, who miraculously appeared to Provenzan Salvani, the hero in the Battle of Montraperti; and also on August 16th, a day dedicated to the Madonna of the Assumption.

The name of the race was synonymous with the prize awarded the winner. A misrepresentation of the Latin word pallium (meaning a rectangular piece of cloth), a palio was a wool, silk or velvet piece of cloth bearing a representation of the Virgin Mary and was awarded to the contrade who won the race.

Prior to 1555, during the Palio young men carried colored wooden structures usually representing animals, with followers parading behind them in a procession. After 1555, each district began to organize with headquarters defining territorial limits and announcing specific rules, thereby developing its own badge, colors, animal of distinction for its banner, its own church and religious staff, and a stable for the horse racing on its behalf.

In the beginning, men would talk about “running to win the Palio” (correre per vincerer il palio). As the race evolved over time, they spoke instead of “running the Palio” (correre il palio). Pride played a huge role in these races; the horses were decked out as colorfully as their riders, and each district dressed the part, as did individual supporters. And while the town divided their loyalties to the riders, the idea of the contrade was not enforced.

The days leading up to the races were set aside for a festival. During this time, women and girls decorated the streets with rich adornments, flowers and banners in the colors of
their contrade. These were happier times for the town, and the friendly competition among the neighborhoods to see which one could out-decorate the other lifted the spirits of the Sienese.

Late in the Medieval period, the horse races, previously run in a straight like through the streets, began taking place around the sloping shell of the Piazza del Campo. But the incline of the piazza proved to be a dangerous course. Over time, many animals were seriously injured or killed because of the unfit shape of the “track.” Run along the outer rim, the actual race ended in less than 90 seconds. But despite the shortness of it, the winner was hailed a hero and the contrade who won deemed superior above all the others. At least until the next Palio.

To this day, the pomp and circumstance surrounding the short race is a sight to see. The pride of each contrade is the same—the only difference is the more than 500 years of history in between.
Piazza del Campo, Siena

My available books:

 CARINA AND THE NOBLEMAN, book 1, Sisters of Destiny trilogy
 

CHARLOTTE AND THE GYPSY, book 2, Sisters of Destiny trilogy
Trailer at http://youtu.be/H26Ny5YuMis



LOVE’S SWEET WAGER, Available at The Wild Rose Press
Amazon
http://www.amazon.com/Loves-Sweet-Wager-Jannine-Petska/dp/1601549288/ref=sr_1_3?ie=UTF8&s=books&qid=1310058382&sr=1-3
Barnes and Noble


REBEL HEART, 2007 Aspen Gold Finalist,
available through Barnes and Noble and Amazon

Hearts Through History Campus - August


Pioneering Women of the West
Instructor: Anna Kathryn Lanier
Dates: August 1, 2011 -- August, 312011
Registration Deadline: July 31, 2011
Fee: $10/HHRW members, $20/others
Click HERE for Registration Form
FMI: HHRW Campus Coordinator: classes@heartsthroughhistory.com
Class Description:

The West was discovered by men looking for adventure and fortune. But it was civilized by women who brought families, schools, churches, and stability to the area.
In PIONEERING WOMEN OF THE WEST, you'll learn about the western movement, the treacherous journey hundreds of thousands people took and of the lives of specific women who helped shape the West, intentionally or not. Some women went looking for a better life; others followed their man into the wilderness.
There will be three lectures a week, with time for questions and answers and additional research on the participants' part.
Schedule:

August 1-7: Introductions; Syllabus; Western Movement overview
August 8-14: Who Went; Westward Ho!: Getting Started;  Keturah Belknap
August 15-21: The Women: Mail-order Brides; Teachers; Doctors
August 22-28: Off the Beaten Path: Makers and Shakers; Miscellaneous
August 29-31: Wrap-up

Bio:
Anna Kathryn Lanier fell into the Western Movement by accident, but just like those mountain men and brave women of the 19th Century, Anna Kathryn was bitten by the Western bug, too. Research naturally followed her interest and though she doesn't claim to be an expert, she knows just enough to get her into trouble.
Anna Kathryn is published in both contemporary and historical Westerns with The Wild Rose Press. Visit her at www.aklanier.com and http://annakathrynlanier.blogspot.com.

Format: Course is conducted via Yahoo Groups email with lessons and Q&A
For additional information, contact the Campus Coordinator.

Click HERE to register for this class.

____________________________________________________________

Worldbuilding for Writers
Instructor: Rebecca Lynn
Dates: August 8, 2011--August 26, 2011

Registration Deadline: August 7, 2011
Fee: $10/HHRW members, $20/others
Click HERE for Registration Form
FMI: HHRW Campus Coordinator: classes@heartsthroughhistory.com

Class Description:


A world-building course focusing on all facets of fictional writing, not just on fantasy and paranormal books. Historical fiction and contemporary genre fiction writers need to know how to world-build, as well. World-building, at its foundation, is about incorporating functional and systematic details into narrative. This class will start with the basic building blocks of a world (whether known or invented) and move toward the integration of research and world-building into narrative fiction. It includes a specific tool through which to build your world that students have found quite helpful. Hope you enjoy!

Week One: The building blocks of fictional worlds
The two main methods of world-building

Week Two: Organizing and ordering your fictional world
Resources for world-building in genres

Week Three: Integrity in your fictional world
Tools for dissecting the world-building of others

Week Four: Integrating world-building details into narrative and dialogue.
Pulling it all together, servicing the larger story.


Bio:

Rebecca Lynn took an MFA in Creative Writing and an undergraduate degree in Linguistics and Literature, and has taught both writing and literature courses on the collegiate level. She has published short fiction as well as some short non-fiction, and academic articles. She's taught world-building workshops to college writers, and does one-on-one coaching with writers on the systematic integration of world-building in their narrative.


Format: Course is conducted via Yahoo Groups email with lessons and Q&A

For additional information, contact the Campus Coordinator.


Click HERE to register for this class.

Thursday, July 14, 2011

Hearts Through History - Membership

The RWA® Historical Chapter Online:
Hearts Through History.
Chapter #189

The only Romance Writers of America© devoted to all genres of history Hearts Through History members gather and discuss different aspects of historical romance, how they fit into the genre and how we, as writers, can further perfect and promote romance fiction.
Hearts Through History is a tight-knit community of writers, both published and non-published, and we welcome new members of like mind and like passion to join us, www.heartsthroughhistory.com.

As an online chapter, we ‘meet’ and discuss history and the writing craft via a listsever. 

Membership benefits:

·         Online Support and Camaraderie
·         Online Resource List
·         Members only critique group
·         Members only writing challenge group
·         Hearts Through History Campus workshops at a discounted rate
·         Free online Bootcamps and Mini-conferences
·         Romance Through the Ages Contest at a discounted rate
·         Members Only Bard’s Scroll Newsletter
·         Access to post on the Seduced by History blog

Learn more about the chapter at www.heartsthroughhistory.com,  our Seduced by History Blog, Facebook and Twitter.

Sign up for the new Seduced By History newsletter, a monthly announcement of newly released Historical Romances by our members.  (You do NOT have to be a member of HHRW to sign up for this newsletter).

Membership is $25 for the first year, $20 for yearly renewals. Click HERE for registration information.

Additional information about the romance genre can be found at the Romance Writers of America® website.

YOU MUST BE A MEMBER OF ROMANCE WRITERS OF AMERICA TO BELONG TO HEARTS THROUGH HISTORY!

Tuesday, July 12, 2011

Historical Romances Versus Romantic Historicals

Versailles helps to make Louis XIV a 'marquee' name.
By McKenna Darby

If you love writing historical romances but chafe at the conventions of the Romance genre (The hero and heroine must meet by the end of chapter one! The relationship is the plot! They must live happily ever after!), you may just be in the wrong genre.

As I discovered at the Historical Novel Society’s fourth U.S. conference, held June 17-19 in San Diego, Historical readers love romance just as much as Romance readers do. A quick glance at the titles advertised throughout the conference program and in the goodie bags proves it: Romance is the one word that comes up again and again in the descriptions of Clara and Mr. Tiffany, Rosedale in Love, The Gentleman Poet, In the Shadow of the Lamp, A Bride Most Begrudging, Pale Rose of England, The Last Time I Saw Paris, Captain Blackwell’s Prize and dozens of other titles.

What’s more, Diana Gabaldon, whom Romance readers think of as one of their own, was a presenter. Philippa Boyens’ name was everywhere. Sourcebooks and Avon, which RWA members know primarily as leading Romance publishers, were major conference sponsors. And many of the book covers are as sexy and provocative as anything you’ll find in the Romance section of your local bookstore.

So what sets romantic Historical novels apart from historical Romance novels?

Monday, July 11, 2011

More Than Words

Originally this post was supposed to go out on June 30th... but Blogger was messing with me, so it has posted today! As you read this, I am (was) in NYC at RWA's 2011 National Conference... And this year for the first time I've decided NOT to bring my computer! Crazy, (yes it was crazy! I came home to ver 2000 emails...) I know, but each year I don't use it, and my laptop is HUGE. It takes up so much space, and its heavy... and for some reason my sexy footman has failed to show up this morning to escort me, lol.
The title of my post, more than words, is actually a serious topic when it comes to writing historical romance. You can not just toss in some historical words, a few historical details, to make it seem as though your story takes place in another era. You MUST do you research. Readers can tell when you've tossed in a few words here and there. They can tell the difference between a medieval restaurant and actually stepping back in time to sit at a medieval table--like forks, and Coca-Cola--or if you're me, the giant blue, liquor filled drink, please! <---All of these are not appropriate!

What I'm saying is, if you're writing a historical story, make it authentic. If the readers can take out your historical references and have a book that could be in any time period--you haven't done your homework, or research, or really your job. They need to be transported.

It's the language, the clothes, the setting, the morals, the manners, the people themselves, tid-bits of actual historical happenings that are taking place right then and there.  Readers love historical romance not because they like the words tunic, aye, and war-horse, but because they LOVE history. They want to feel like they are there.

There is something inherently romantic about a historical setting. The gowns, the horses, the knights, the kings, and queens, ladies, carriages, castles. The language is poetic. Chivalry was not dead. The mind-set was different. Reading historicals in a sense is like time-travel. We don't want to show up with only a couple of our body parts, the rest of us languishing somewhere in space, we want to arrive whole, and enjoy it to the fullest.

Why do you read medievals? One commenter will win an ebook copy of A LADY'S CHARADE!


A new release from Eliza Knight! A Lady’s Charade, a medieval romance novel, is now available in electronic format from Amazon, Barnes and Noble and Smashwords!


Book Blurb…

From across a field of battle, English knight, Alexander, Lord Hardwyck, spots the object of his desire—and his conquest, Scottish traitor Lady Chloe.

Her lies could be her undoing…

 
Abandoned across the border and disguised for her safety, Chloe realizes the man who besieged her home in Scotland has now become her savior in England. Her life in danger, she vows to keep her identity secret, lest she suffer his wrath, for he wants her dead.

Or love could claim them both and unravel two countries in the process…

 
Alexander suspects Chloe is not who she says she is and has declared war on the angelic vixen who's laid claim to his heart. A fierce battle of the minds it will be, for once the truth is revealed they will both have to choose between love and duty.

Excerpt from Chapter One…

South Hearth Castle
Border of Scotland and England
September, 1415

Allure! My lady! Ralentir!”

Chloe laughed when she turned around on her speeding horse to spy her French maid. Poor Nicola clutched the hood of her headdress with one hand, her hands scrambling to maintain the reins of her horse, and her bottom bounced up and down at a rather humorous pace.

She conceded her old nurse and slowed her horse to a trot until Nicola could catch up.

“My lady, shame on you. You know better than to ride with such… such… imprudence!”

Oui.” Chloe chose to concede once more. There was no point in arguing with the woman. Especially when she was sure Nicola would only have the last word.

But she just couldn’t help riding hell bent for leather! They’d been waiting on the coast of France for nearly a fortnight before the ship could safely take them across. Then an entire week had been spent cramped inside a small ship’s cabin, with the swaying and rocking of the vessel. She felt like the nearly three weeks past had been consumed by sitting still, and now that they’d reached Scotland she only wanted to be free. To feel the fresh, clean, crisp air wash over her skin as she rode at break neck speed toward home.

Nicola gave her a disapproving look, but nodded anyway, silvery blonde curls falling out of her headdress. Whether or not she believed Chloe’s apology was sincere, she was accepting of it, it seemed.

They were not alone of course. A dozen of her father’s guard surrounded her, none of them willing to contradict anything Chloe said. Why? She wasn’t sure. Mayhap because she’d been on the continent for so long, they knew not what to expect of her, or perhaps it was simply that they too wanted to reach home. And yet again, it could be that her father had told them not to argue with her. Whatever the reason, she was glad they’d let her have a bit of fun for however fleeting it was.

Chloe turned to the guardsmen who appeared to be in charge. “How much further?”

He looked about himself for a moment before turning back to her. “South Hearth is not much further, mayhap another day. Shall we make camp now, my lady?”

Chloe narrowed her eyes. “South Hearth?”

“Aye, my lady.”

“We are not going to Fergusson lands?”

“That we are, my lady.”

“But you said South Hearth. My family has not held South Hearth for…” She trailed off remembering the last time she’d been at the border holding. Jon had been alive then.

“Nigh on five years now, my lady, but his lordship, your father, has once again proven we Scots shall prevail.”

So, her father had taken siege of the castle again? A lot had happened since she’d been sent to serve the French queen five years ago, at the age of thirteen. She couldn’t say she was surprised, or really upset about it. In fact, she was a little elated. South Hearth was home. She’d grown up there. Hadrian’s Wall was her playground. But the fact remained, if her father had retaken the castle—someone would want it back.

“Let us make camp then.” Chloe tried not to giggle at the look of pure relief that crossed her nursemaid’s face. The woman’s rump must be burning.

The following morning they set out at a slower pace, just after sunrise. They broke their fast with pears and cheese as they rode, all of them eager to reach South Hearth walls. As the sun rose high in the sky, the turrets of the keep were visible over the crest of a hill.

Home.

Chloe broke out into a wide smile, and ignoring the protests of Nicola and her retainers, she prodded her horse into a canter down the road toward the gate. When she arrived, the guards not far behind her, and Nicola bouncing her way painfully down the hill, her smile faded. Guards circled the top of the battlements. The drawbridge was up, the portcullis down, and gate door closed tightly. They expected trouble.

Just as she’d thought. Someone would most definitely be coming to take back the castle. But when was the question.

Before she could open her mouth to order the men to open the way for her, they did so. Calls to her escort were tossed over the walls, and the men she traveled with answered back. As the gates opened, the sounds and smells of the city assaulted her senses. Loud clanking, banging, shouting. Smells of cooking, rubbish, and animals. It all mixed together, and she longed for the French chateau of Queen Isabeau with its pretty smells, and enchanting music.

They rode into town, up the rode past merchants, peasants, clergy and guild workers toward the keep stairs. South Hearth had seemed such a grand place when she was young. Now it only seemed a fort of sorts, not a home.

“My child!” A tall woman atop the steps to the keep came rushing forth.

Chloe recognized her mother immediately. “Maman!” She sped up her horse until she reached the bottom of the keep stairs and then ignoring the hands offered by the guards, leapt to the ground and into her mother’s arms.

It’d been two years since she’d last seen her mother. The Lady Fergusson, had stayed with her for her first few years in service to the French queen, her mother’s cousin, before returning to her husband in Scotland.

Chloe breathed in her mother’s scent, and tried to blink away the sting of tears in her eyes.

“Come, inside. You must be in need of a bath and something to eat.”

Chloe nodded. As they reached the tops of the steps, Nicola finally drew up to the courtyard, a harried looking knight beside her. The maid had probably given the man a good tongue lashing, only because Chloe herself wasn’t there to receive the punishment.

“It is so good to be home.”

Oui, I am glad you finally arrived. We were beginning to worry. Your father and I expected you over a week ago.”

She threaded her arm through her mother’s as they made their way up the spiral staircase to the upper chambers. “There was a storm, and the sea was not safe. We had to wait nearly two weeks before boarding the ship.”

“Ah, I see. At least you have arrived safely. If you hadn’t come by tomorrow a search party was going to be sent out.”

Chloe gasped. “Did you not get my missive?”

“Missive?” They stopped walking and her mother turned toward her, her brows drawn together in concern.

Oui, Maman. I sent a message to warn of our delay.”

“I received no such warning.”

Sunday, July 10, 2011

Linlithgow Would Know

by Angelyn Schmid

Linlithgow Palace, Scotland

Burned out and abandoned in 1746. So what's the attraction?

Some will argue Linlithgow is the sole remaining witness to the moment Scotland began her irrevocable journey toward union with England. It was the night of April 23, 1567 at this palace when the Crown of Scotland forever lost its sacred value and became a naked pawn to be sold by the nobles who should have served it.
The night James Hepburn, Earl of Bothwell, plotted to kidnap Mary, Queen of Scots. But Bothwell and Mary were lovers, were they not? Did they not plan her abduction in advance, secretly, so that they might retreat to Dunbar Castle, thus paving the way for their marriage. Aye?

If walls could talk they would tell of a plan so secret that others knew of it.
Earlier that day of April 23rd, Mary's father-in-law wrote a letter. He was the Earl of Lennox, parent of her murdered husband, Lord Darnley. His letter communicated a curious warning to his wife, the formidable Margaret Douglas, daughter of Margaret Tudor. He advised her that Bothwell was about to kidnap their sovereign, the Queen of Scots.
In far away England, that perennial servant to the House of Tudor, William Cecil, advised: "Scotland was a quaqmire. Nobody seems to stand still; the most honest desire to go away; the worst tremble with the shaking of their conscience."
Yet April 23rd had begun so innocently. That morning Mary kissed her son good-bye in Stirling, not knowing she would never see him again. She planned to journey as far as Edinburgh, but had to stop along the way, at the place she was born--Linlithgow. She could travel no farther, for the pain in her side that had plagued her since girlhood had become insupportable. Some said then it was an ulcer, some say today it was a genetic malady called porphyria.
But all might have passed unnoticed except that there was another following her. Bothwell approached Linlithgow now cloaked in darkness and rode into the palace courtyard while the moon was high. Mary's retinue had since retired, but perhaps in her pain the Queen remained awake. Perhaps she might receive him where he could ask for her hand in marriage. Again.
She was awake, but she refused to see him. So her Lieutenant of the Borders had to be satisfied with an audience before her loyal Catholic retainer, George Gordon, Earl of Huntly. Huntly was a Highlander and also Bothwell's brother-in-law, with some regret over giving his sister Jean to this Lowlander he began to suspect of treason. Bothwell minced no words. He wanted help to kidnap the Queen. One can imagine Huntly's dismay, and his adamant refusal.
How I would have loved to hear how Bothwell tried to convince a man, whose sister he now planned to divorce, to give him aid. To give him the assistance necessary to overcome the Queen's guard so she may be carried off and married by force. That is the scenario I always think of when visiting this ruined palace. Because Linlithgow would know.
And it is so important to know. Had the Queen cooperated with Bothwell, as the Casket Letters would have us believe, there was surely no need to involve his wife's brother in the matter. Moreover, would Bothwell have been sent away? He was, forced to retire to Calder castle some distance southeast of Edinburgh.
The next day, Mary left Linlithgow for Edinburgh and was met by Bothwell's forces six miles west of the city. From thence forward, she lost control of her crown and her destiny.
It was not Carberry, or even Fotheringhay, that was the scene of Mary's last day as Queen of Scotland.
For Linlithgow would know.
Angelyn

Like history? Fall in love with it! Check out my blog at http://www.angelynschmid.com/ on history and romance.